Cloudy Morning in Paradise Bay, Antarctica
Last night we sailed down the Lemaire Channel a second time, after a visit to Peterman Island. This morning we awoke in Paradise Bay. We would remain here for a few hours while we ate breakfast. As I was below in the galley enjoying eggs, cheese, fruit and coffee (the food was great on the M/V Polar Star), I left my camera alone out on the deck shooting one frame every 4 seconds. I slapped them together into a time lapse video, which you see below thanks to Youtube!
Next: Neko Harbor, Antarctica
Previous: Peterman Island, Antarctica
Trip Index: Cheesemans Antarctica, Falklands and South Georgia
All “Southern Ocean” entries
Blue Whale Aerial Photos
Blue whale aerial photos
This blue whale (Balaenoptera musculus) was photographed from the air as it surfaced off the coast of Redondo Beach (near Los Angeles, California) to exhale and take a new breath, before diving underwater to feed on krill.
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| Blue whale, exhaling as it surfaces from a dive, aerial photo. The blue whale is the largest animal ever to have lived on Earth, exceeding 100′ in length and 200 tons in weight. Image ID: 25953 Species: Blue whale, Balaenoptera musculus Location: Redondo Beach, California, USA |
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| Blue whale swims at the surface of the ocean in this aerial photograph. The blue whale is the largest animal ever to have lived on Earth, exceeding 100′ in length and 200 tons in weight. Image ID: 25952 Species: Blue whale, Balaenoptera musculus Location: Redondo Beach, California, USA |
I recorded the GPS position (latitude, longitude) each time I took a photo of a blue whale. Curiously, the blue whales remained in a small area directly over the submarine canyon that lies offshore of Redondo Beach, as seen in the below screen shot from Google Earth. My hunch is that the krill upon which the blue whales were presumably feeding was gathered in, or near, the canyon. You can click the image below to bring up the Google Earth display, showing the images superimposed where they were photographed above the Redondo Beach submarine canyon.
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To see more blue whale aerial photos, or stock photos of Balaenoptera musculus, click on the links or use the search box at upper left.
Keywords: blue whale, aerial photo, Balaenoptera musculus
San Clemente Island Aerial Photograph
Aerial photograph of San Clemente Island, California
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| San Clemente Island Pyramid Head, the distinctive pyramid shaped southern end of the island. Image ID: 26003 Location: San Clemente Island, California, USA |
San Clemente Island is where I have done the majority of my scuba diving. For at least 20 years I’ve been admiring the beautiful kelp forests, reefs and marine inhabitants of San Clemente Island, almost always aboard the San Diego-based dive boat Horizon. These days I’m lucky if my schedule allows me to get out there once a year for a bit of diving, but when I do and I finally get underwater it feels like I am home in a way: beams of light filtering through the towering stands of giant kelp (Macrocystis pyrifera) on a sunny day still take my breath away (figuratively speaking). The long, flowing schools of baitfish and hefty bat rays are wonderful to behold. San Clemente Island is owned and managed by the U.S. Navy, and at times we have seen Naval jets scream just overhead as the pilots show off to the earth-bound boats below. I have often wished I could join one of those pilots so that I could see my favorite island from the air, to see it in its entirety. I finally got a chance to do that. I recently took a survey flight up the coast with a pilot friend and photographer friend and we decided to fly out to the islands. After passing by Catalina Island we looked over the waters on the weather side of San Clemente Island, from Castle Rock at the northwest end to Pyramid Cove at the southeast end. What a great day!
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| Kelp beds adorn the coastline of San Clemente Island. Image ID: 25984 Species: Giant kelp, Macrocystis pyrifera Location: San Clemente Island, California, USA |
Catalina Island Aerial Photograph
Aerial photograph of Catalina Island
I was very fortunate recently to have the opportunity to fly over Catalina Island, and was able to take a few photographs of the West End of the island. Growing up in Newport Beach I used to visit Catalina fairly often as a kid, and as an adult I have been diving around most of the island, but I have only seen Catalina clearly from the air a few times. Catalina Island is one of California’s jewels. It is one of the Channel Islands and shares the rugged Mediterranean appearance of its siblings. Santa Catalina Island (as it is properly known) lies less than 20 miles offshore from the Los Angeles area at its closest point. Catalina is 22 miles long and reaches of height of 2,079′ at its summit. Seen here is the west end of the island. The brown patches just offshore of the island are the upper reaches of “kelp beds”, or submarine kelp forests, which are some of the most beautiful marine habitats anywhere in the world and a major attraction at Catalina Island. Eagle Rock is seen next to the largest kelp bed (for the curious: here’s a photo underwater at Eagle Rock)
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| Aerial photo of Catalina Island, West End. Image ID: 25978 Location: Catalina Island, California, USA |
Interesting fact: down there on somewhere on the West End lives a family of bald eagles whose nest can be observed by webcam.
LR/Enfuse — A HDR Plugin for Adobe Lightroom
I recently discovered a great plugin for Lightroom: LR/Enfuse. (Yup, I may be a little late to the game, but given that I have only been using Lightroom since January it is to be expected.) LR/Enfuse blends multiple images to produce HDR (high dynamic range) images or focus-stacked images. It works within the Lightroom workflow, resulting in a 16-bit TIF file that is automatically imported into the Lightroom catalog alongside the source images. It seems very fast, and given how well it is integrated into Lightroom I find it incredibly easy to use. For me, the most important characteristic of LR/Enfuse is that the images generally look much more natural than what I have achieved using tone mapping techniques and do not, to my eye, have much or any of the “HDR Look”.
What is the “HDR Look“? Justice Potter Stewart, when describing obscenity in a legal case with historic ramifications, famously intoned “… I know it when I see it…”. The notion applies equally well to the HDR Look. Photographers are familiar with the highly processed look that HDR can produce and, while many use the HDR Look to good advantage in Flickr galleries or on websites with a few even making a career out of HDR imagery, I try to avoid overdoing it. HDR software is fun yet I liken its use in the hands of some photographers to handing a 16-year-old the keys to my Porsche Panamera — it is often a recipe for disaster unless considerable restraint is involved. (OK, that last part was a total lie, I don’t have a Porsche.)
Yet there are situations in which the contrast range of a scene is too great for today’s best cameras to accomodate, even using graduated ND filters, in which cases HDR techniques may help solve exposure challenges. I have used Photomatix for years to blend HDR images but have never really been satisfied with the results. In my experience, Photomatix processing often introduces localized color shifts or changes in saturation that appear obvious and unnatural, and the final results of the blending typically do not match the quick preview that Photomatix offers, which means I am never really certain exactly how the HDR image will look until after the time-consuming Photomatix process is complete. Now, to be fair, there are many photographers using Photomatix with incredible results. The Photomatix workflow, even employing the Lightroom plugin version of Photomatix, seems slow and often requires that I cycle through several blending variations before I obtain a result that I can use as a starting point from which further blending and masking in Photoshop can be done. My poor results are probably due to my lack of experience or unwillingness to develop sufficient expertise more than any flaw in the Photomatix software. Nevertheless, I have never really been pleased with the results of HDR blending using Photomatix, nor with the amount of time that is required to produce a good final result.
On the other hand, I am very happy (so far) with the speed, ease of use, results and cost of LR/Enfuse. The LR/Enfuse plugin is “donationware” which means you make a donation to the software project and receive an code by email that unlocks all the features of the software. Don’t be fooled by the donationware business model of this software enterprise. The algorithms behind LR/Enfuse arise from some brilliant minds in the imaging field, and the 64-bit executable that is employed to process the images is bloody fast on my quad-core iMac. I made a donation, installed and licensed the software on my Mac, and made a few trial HDR blends on recent coast redwood images I shot. But I needed something with greater dynamic range to really test it out, so I recalled some very harsh images I shot in and around Arches and Canyonlands National Parks a few years ago. I was on a tight schedule and did not have the ability to wait for the sweet light of sunrise and sunset at all locations, often shooting in harsh light. I shot bracketed sequences hoping that later I could solve the exposure problems with software. At the time I used Photomatix and did manage to produce some blends, but the results (as you will see below) are not the best. In the course of an hour I made new versions of 12 different HDR series using the LR/Enfuse plugin in Lightroom, and am generally very happy with the results. The colors seem more honest, not exhibiting the shifts in hue and saturation that I have observed often using Photomatix. In the three examples below the only processing I did was to set saturation to +10 in Lightroom, then run the LR/Enfuse plugin using its default settings, wait for the blended image to be created and automatically imported back into Lightroom (usually about 10-15 seconds) and then apply a curve adjustment, generally to pull down the mid-darks. That’s it! As I said, I processed 12 complete HDR sets in one hour, including the time it took to install and learn the program, and even using just the default settings I am quite happy with the results. Furthermore, the LR/Enfuse versions appear to me to be exceptionally sharp when viewed at 100%, with no ghosting of any kind, whereas Photomatix produces, for me at least, images that are quite soft and must be sharpened quite a bit before presenting online or to clients.
Example 1: Wilson Arch
Blending example #1 is Wilson Arch, shot with a Canon 15mm f/2.8 fisheye lens and Canon 1Ds Mark II camera. Bracketing was accomplished by varying the shutter speed (constant aperture, very important) one and two-third stops for each exposure step. LR/Enfuse does have an optional image-align-stacking step, but it does slow the process down. I found that the alignment step could be omitted for my images since they had been taken while the camera was locked down on a very heavy tripod.
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| Five source images, bracketed 1.67 stops apart. | ||||
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| New version, processed in Lightroom 3: saturation +10, then combined with LR/Enfuse using default settings, then a simple curves adjustment. |
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| Former version, processed in Photomatix using Tonemapping Algorithm, settings unrecorded. |
Example 2: Mesa Arch
The second example is of Mesa Arch, a very commonly photographed arch in Canyonlands National Park, again shot with a Canon 15mm f/2.8 fisheye lens, Canon 1Ds Mark II camera and using one and two-third stop brackets.
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| Five source images, bracketed 1.67 stops apart. | ||||
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| New version, processed in Lightroom 3: saturation +10, then combined with LR/Enfuse using default settings, then a simple curves adjustment. |
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| Former version, processed in Photomatix using Tonemapping Algorithm, settings unrecorded. |
Example 3: Pine Tree Arch
The last example is of Pine Tree Arch in Arches National Park, with the same equipment and bracketing. In these images I applied some lens distortion correction. Lightroom’s lens profiles must be great since the results after “defishing” are sharp corner to corner.
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| Five source images, bracketed 1.67 stops apart. | ||||
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| New version, processed in Lightroom 3: saturation +10, then combined with LR/Enfuse using default settings, then a simple curves adjustment. | Former version, processed in Photomatix using Tonemapping Algorithm, settings unrecorded. |
Conclusions
Are these new images made with LR/Enfuse better than the previous ones I made with Photomatix? I’ll need to consider them for a while, along with the other 20-30 HDR images I have in my files. I can say the LR/Enfuse is so quick and easy to use that I won’t hesitate to shoot a bracketed tripod-mounted sequence when shooting landscapes and the dynamic range suggests HDR might have promise. With the bracket series imported into Lightroom, it literally takes a minute or less to apply basic raw processing adjustments (such as baseline saturation, contrast, brightness, etc. ) to the middle image in the sequence, sync those settings to the other images in the sequence, blend the images using LR/Enfuse into a 16-bit TIF and then perform any final adjustments to the blended image in Lightroom.
As a final word I will mention that I consider my photography to be “natural history photography“. The clients who license my images are primarily publishers and editors for whom truthfulness and realism in imagery is very important. I do not limit myself to images that are made only “in camera”, nor do I limit myself to images made only from a single frame if the limitations of the camera get in the way of achieving the final result. However, when combining or blending frames, either in panoramic images, in “handmade” masked images or in HDR images made with software tools, honesty and a straightforward depiction of the subject are driving forces for me.
Vogelsang Reflections - Yosemite National Park
Vogelsang High Sierra Camp and Tuolumne Meadows
My dad and I spent a great several days hiking around Tuolumne Meadows and Vogelsang High Sierra Camp. Vogelsang is one of my favorite areas of the Sierra Nevada, a series of 10,000′ basins filled with beautiful lakes and boasting many 11,000′ and 12,000′ peaks. We had spectacular weather, no mosquitoes, and bagged a new peak and at least a half dozen lakes. I shot this video with a Canon 5D Mark II and the time lapse was shot with a Canon 1Ds Mark III camera, 1300+ frames over two hours to produce about 25 seconds of time lapse video. The video was an exercise to test the function of the Sennheiser MKE 400 mic in an outdoor setting. It worked reasonably well. You can tell I did not get my video perfectly level on some shots — live and learn. Life is good!
Devil Island, Antarctica
Photos of Devil Island, Antarctic Peninsula, Antarctica
Arriving at Devil Island, the morning presented the most spectacular blue-sky weather we experienced during our entire voyage. Devil Island rose above us after we anchored, twin peaks about 800’ high framing a saddle about half that. On the slope of the island before us was a broad colony of penguins. Many grounded small bergs were nestled up against the side of the island, having become caught there at a previous low tide and remaining trapped. Some were cracking and breaking under their own weight as the tide dropped through the morning, producing occasional loud popping sounds following by waves radiating out from the busted up piece of ice.
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| Adelie penguins at the nest, part of the large nesting colony of penguins that resides along the lower slopes of Devil Island. Image ID: 25013 Species: Adelie Penguin, Pygoscelis adeliae Location: Devil Island, Antarctic Peninsula, Antarctica |
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| Adelie penguin. Image ID: 25044 Species: Adelie Penguin, Pygoscelis adeliae Location: Devil Island, Antarctic Peninsula, Antarctica |
I elected to hike to the summit of the Devil Island, foregoing any time in a zodiac, since I figured the view was too good to pass up and I wanted to bag a new peak. I shot some great video of the colony on the shoulder of the island, and then followed Ted, Ross, Markus and Jo up to the top. Many others got up there too. The view from the top of the right horn of the island was superb, a full 360 degrees including the channel separating Devil Island from the Antarctic continent on one side, and clear across the Gerlache Strait on the other side. Nothing but blue sky and sun, finally, after weeks of crap weather. It was warm, only the thinnest fleece was required, and sunglasses and sunscreen the order of the day. Not much to say beyond that. I spent as much time at the top as I could, watching the tiny zodiacs far below slowly circumnavigate Devil Island, dodging bergs as they did so. In many places, one could see down through the clear, still water to the ocean bottom below. This would definitely have been a good place to hop in the water with drysuit and camera housing for some u/w shots of bergs, but that will have to wait for next trip. About lunch time we left Devil Island in our wake, motoring further down the channel for our first step on the continent proper at Brown Bluff.
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| Adelie penguin, adults feeding chicks, part of the large nesting colony of penguins that resides along the lower slopes of Devil Island. Image ID: 25042 Species: Adelie Penguin, Pygoscelis adeliae Location: Devil Island, Antarctic Peninsula, Antarctica |
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| Ice, ocean, clouds and sun, Antarctica. Image ID: 24814 Location: Antarctic Sound, Antarctic Peninsula, Antarctica |
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| Summit of Devil Island with portions of the Erebus and Terror Gulf region of the Weddell Sea in the background. Image ID: 24816 Location: Devil Island, Antarctic Peninsula, Antarctica |
Next: Brown Bluff, Antarctica
Previous: Zodiac Cruising in Antarctica
Trip Index: Cheesemans Antarctica, Falklands and South Georgia
All “Southern Ocean” entries
International Conservation Photography Awards 2010
The 2010 occasion of the International Conservation Photography Awards was held recently in Seattle, with winners being announced June 19 and an exhibit of many of images running until September 6 at The Burke Museum of Natural History and Culture at the University of Washington. You can view online photos of the evening reception (which to my regret I was unable to attend) as well as winning and honorably-mentioned images from the 2010 ICP Awards competition. Be sure to check out Stuart Westmorland’s stunning sailfish photograph among the small group of distinguished awards! I was fortunate enough to have one of the earliest “keepers” I ever shot underwater be given an honorable mention in the competition, a study of kelp fronds photographed about 20 years ago in the kelp forest at San Clemente Island:
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| Kelp frond showing pneumatocysts. Image ID: 00627 Species: Giant kelp, Macrocystis pyrifera Location: San Clemente Island, California, USA |
About the International Conservation Photography Awards: Known for his passionate advocacy of the environment, nature photographer Art Wolfe created a conservation-themed photo contest in 1997 as “an event for the advancement of photography as a unique medium capable of bringing awareness and preservation to our environment through art.” The 2010 International Conservation Photography Awards is a continuation of Art Wolfe’s vision and has become a biennial (every two years) international event. Each year the ICP Awards strives to increase its reach and influence to photographers from around the world as well as to diverse audiences who will be inspired by the work. More than just a competition, 75+ of the juried photographs will be exhibited in 2010 via a new partnership with The Burke Museum of Natural History and Culture, a development that continues to raise the bar for this program. ICP Awards organizers are also exploring ways to travel the exhibit in the interim year before the next program in 2012 – please let us know if you have ideas about venues that would be interested in hosting the exhibit during the 2011 year. The ICP Awards are open to all photographers worldwide.
Paulet Island, Antarctic Peninsula, Antarctica
Photos of Paulet Island, Antarctic Peninsula, and photos of Adelie penguins
We arrive early in the morning at Paulet Island, our first taste of the Antarctic Peninsula. As we navigate our approach through ice-filled channels around the island, large groups of Adelie penguins (Pygoscelis adeliae) are seen swimming in the water and gathered on the edges of bergs and fast ice. While the day dawns cloudy, it will clear periodically later today, with broken clouds and beautiful Antarctic weather on and off. Strong currents roil the waters about the Paulet Island, moving bergs and brash ice constantly. It takes the captain of the icebreaker M/V Polar Star some time to make a firm anchor.
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| Icebergs floating in the ocean near Paulet Island. Image ID: 24834 Location: Paulet Island, Antarctic Peninsula, Antarctica |
When the boat is securely anchored, we venture out in zodiacs for some cruising among the ice. Adelie penguins abound. The island is literally covered with Adelies and their curious stone nests, while groups of them are found on the beautifully sculpted ice everywhere we look. When they leave their ice perches and take to the water, their porpoising across the glassy sea is marvelous to watch. They are like small speedy footballs leaping out of the water, only to disappear and reappear again every few seconds as their sturdy wings propel them forward. They are nearly impossible to photograph while porpoising, for me at least, and I resign myself to admiring them and trying to photograph the ones standing still on the ice. Simple photos for simple photographers.
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| Adelie penguins, in a line, standing on an iceberg. Image ID: 25018 Species: Adelie Penguin, Pygoscelis adeliae Location: Paulet Island, Antarctic Peninsula, Antarctica |
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| Paulet Island, near the Antarctic Peninsula, is a cinder cone flanked by lava flows on which thousands of Adelie Penguins nest. Image ID: 24824 Location: Paulet Island, Antarctic Peninsula, Antarctica |
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| Enormous colony of Adelie penguins covers the hillsides of Paulet Island. Image ID: 24836 Species: Adelie Penguin, Pygoscelis adeliae Location: Paulet Island, Antarctic Peninsula, Antarctica |
After returning to the big boat, I gather my gear and take a second zodiac ride to land ashore on Paulet Island. It is still morning, but I decide in advance to skip lunch and just stay onshore all day, knowing that each hour with my feet on the ground in Antarctica is exceptionally valuable and is my motivation for making this journey. What a place, so much life here! A cacophony of penguin sounds fills the air, for the many hours that I am ashore. The colony sections themselves are so dense and vast that we stay along the perimeters, in the thin strip of ice- and boulder-covered beach the penguins traverse as they make their way between the ocean and their nests. In the colony itself, the birds are spaced in a highly-regular fashion, with their nests just a few feet apart from one another. I am struck by this aspect of the colony, having seen it earlier in the trip at the phenomenal black-browed albatross colony at Steeple Jason in the Falkland Islands. It seems that each member of the species has exactly the same tolerance for others of its kind, needs exactly the same room to maintain its sanity, leading to the spatial pattern before me that is repeated as far into the colony as one can see. Indeed, when viewed from the boat, the colony takes on an almost abstract look. Mother Nature employs her wonderful mathematics again, producing yet another example of regularity and order out of the chaos that is Life.
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| Adelie penguins, nesting, part of the enormous colony on Paulet Island, with the tall ramparts of the island and clouds seen in the background. Adelie penguins nest on open ground and assemble nests made of hundreds of small stones. Image ID: 25024 Species: Adelie Penguin, Pygoscelis adeliae Location: Paulet Island, Antarctic Peninsula, Antarctica |
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| Melting ice along the shore of Paulet Island. Image ID: 24833 Location: Paulet Island, Antarctic Peninsula, Antarctica |
I move to the edge of the island to watch the penguins that are departing to forage at sea. They are not unlike a little river: birds constantly “flowing” from their nesting areas on the plateau above down into the water. Hanging over the cobblestone beach on which I sit is a small cliff of melting ice. Every 30 seconds or so a group of penguins approaches along the edge of this ice, using well-worn paths left behind by thousands of small feet, until they reach a gap in the ice cliff through which they can jump down onto the cobblestone. From there they gather at the water’s edge into nervous groups of 10 to 50 before rushing en masse into the water, strategically using their numbers to foil any predatory leopard seal that may be waiting underwater. I setup my camera and tripod in a location where I am sure the penguins will come by. I then move away, and wait. Soon a curious group gathers around the camera, looking at it inquisitively, clucking softly and gently pecking at it to discover what it might be. As they do so, I use my wireless trigger ($20 on Ebay) to take a few pictures of them — from 50′ away. The camera is set to operate as silently as possible to avoid startling the little birds, and the technique works great. When the penguins finally leave, I am able to go inspect my camera and see the images I got; a few look like keepers. I try my remote-cam technique a few more times and am happy with the results. Here are a couple examples; I could have been sipping a margarita in a beach chair while taking these, if it were not so cold:
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| Adelie penguins navigate a steep dropoff, to get from their nests down to a rocky beach, in order to go to sea to forage for food. Image ID: 25020 Species: Adelie Penguin, Pygoscelis adeliae Location: Paulet Island, Antarctic Peninsula, Antarctica |
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| A group of Adelie penguins, on packed snow. Image ID: 25021 Species: Adelie Penguin, Pygoscelis adeliae Location: Paulet Island, Antarctic Peninsula, Antarctica |
As the day passes, I realize that the movement of the penguins here cannot be conveyed in a single image. So I spend my last two hours on shore arranging several time-lapse sequences, composed of hundreds of photos that together are arranged into a short movie. One never really knows how the result of a time-lapse effort will appear until the final product is finished on the computer. I did not finally see the result of these efforts until now, some six months after my day on Paulet Island:
Next: Zodiac Cruising in Antarctica
Previous: Nature’s Best Photography Cover Shot
Trip Index: Cheesemans Antarctica, Falklands and South Georgia
All “Southern Ocean” entries
Nature’s Best Photography Cover Shot
The cover image of the current issue of Nature’s Best Photography is my photograph of an Adelie penguin taken earlier this year in Antarctica:

Adelie Penguin, Antarctica, Nature's Best Photography Spring/Summer 2010. Click to see more images from Antarctica
The photo also appears in the interior of the issue, since it was fortunate to be given an honorable mention in this years Ocean Views photography contest.
This image was taken at Paulet Island on the Antarctic Peninsula, made with a Canon 5D Mark II camera and 24-105mm f/4 lens (at 24mm), from a zodiac as we were idle alongside an iceberg. If you want to see what the situation was like when I took this shot — and you should, since it will make you want to visit Antarctica yourself! — see my blog post about this encounter from earlier this year. Several Adelie penguins (Pygoscelis adeliae) walked to the edge of an berg to get a good look at us as we cruised around Paulet Island at sunset, and allowed me to rattle off a series of “close/wide” images of them. Honestly, while the encounter was one of the most special moments of the trip for me, Adelie penguins are so numerous and inquisitive that I think situations like this — and photos like the above — are probably rather common in Antarctica. It is one of the reasons I intend to return as soon as I can.
Next: Paulet Island, Antarctic Peninsula, Antarctica
Previous: Pack Ice at the Edge of the Weddell Sea
Trip Index: Cheesemans Antarctica, Falklands and South Georgia
All “Southern Ocean” entries
Eureka Valley Sand Dunes, Death Valley National Park
Stock photos of the Eureka Valley Sand Dunes and the Eureka Valley in Death Valley National Park.
One of the goals of our recent Death Valley trip was to reach the wonderful Eureka Valley Sand Dunes. At almost 700′ tall, these dunes are some of the tallest in the United States (and are the tallest in California). The Eureka Valley lies in the northern reaches of Death Valley National Park, and became an official part of the Death Valley National Park in 1994 with the passage of the Desert Protection Act. The Eureka dune field is approximately 3 miles long and one mile wide, with the tallest dunes being at the north end. The Eureka Valley is geologically impressive, with the Last Chance Mountain Range rising 5500′ above the valley floor on the north and east and the Saline Mountains rising in the west. We reached the Eureka Valley via the Big Pine Road from Highway 395, spent a night at the primitive campground, and left via the Big Pine Road for the Racetrack. Conditions were ideal when we were there, with cool and calm weather and absolutely clear skies with a new moon that made a great night to photograph the Milky Way. We were also treated to a fly-by of the International Space Station in the northern sky just after sunset. I managed to shoot an interesting time lapse movie of the Milky Way rising above the southern horizon. Walking about the dunes, we came across the endangered Eureka Valley Dune Grass, and witnessed the strange phenomenon of “singing sands”. When a sand slope of just the right size and inclination was disturbed, the moving sand produced a deep thrumming that sounded just like a distant airplane. In the morning we found blooming wildflowers in the dessicated mud fields at the foot of the dunes, including the endangered Eureka Valley Evening Primrose and a little wildflower I have yet to identify. Our quick visit was nearly perfect — my one regret is not hiking all the way to the summit of the tallest dune. I am eager to return, and in the future I may skip the southern end of the park entirely and split my time between the Eureka Valley and the White Mountains (bristlecones!). If I do, the first order of business will be to ascend straight to the top of the tallest dune and hoist a cold one.
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| Eureka Dunes. The Eureka Valley Sand Dunes are California’s tallest sand dunes, and one of the tallest in the United States. Rising 680′ above the floor of the Eureka Valley, the Eureka sand dunes are home to several endangered species, as well as “singing sand” that makes strange sounds when it shifts. Located in the remote northern portion of Death Valley National Park, the Eureka Dunes see very few visitors. Image ID: 25250 Location: Eureka Dunes, Death Valley National Park, California, USA |
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| Eureka Valley Sand Dunes. Image ID: 25249 |
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| Sunset on the Last Chance Mountain Range, seen from Eureka Valley Sand Dunes. Image ID: 25238 |
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| Eureka Dunes. The Eureka Dunes are California’s tallest sand dunes, and one of the tallest in the United States. Rising 680′ above the floor of the Eureka Valley, the Eureka sand dunes are home to several endangered species, as well as “singing sand” that makes strange sounds when it shifts. Image ID: 25251 |
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| Eureka Sand Dunes, infrared black and white. Image ID: 25376 |
The Eureka Valley Sand Dunes are home to a few notable and imperiled plant species, which I blogged about recently: the Eureka Valley Evening Primrose (Oenothera californica eurekensis) and Eureka Valley Dune Grass (Swallenia alexandrae)
Milky Way Time Lapse Movie
This is a time lapse video of the Milky Way rising in the south east sky, viewed from Death Valley. The Milky Way is our own galaxy, a thick spinning disc of stars with arms that thin as they spiral outward. Our Sun is located in one of the arms. When viewed from our Sun’s location, the Milky Way is viewed “on edge” and so appears as a broad band across the sky. The Milky Way is not aligned with the plane of the ecliptic, so it is not parallel with the paths that the moon and Sun follow across our sky. The central core of the Milky Way, which is the thick disc-like center of the galaxy, lies on the right side of this video. Some satellites and planes can be seen briefly in the video, along with a few shooting stars (meteors) near the bottom of the frame just before dawn. This was shot with two Canon digital SLR cameras over a period of about six hours, and is composed of about 500 photographs.
Hammerhead Shark Cover Photo, Physiological and Biochemical Zoology
The latest issue of Physiological and Biochemical Zoology uses a hammerhead shark photo of mine on the cover to accompany the article Temporal Resolution and Spectral Sensitivity of the Visual System of Three Coastal Shark Species from Different Light Environments (McComb, Frank, Hueter and Kajiura). This is at least the fourth hammerhead shark photo of mine that has been used for the cover of a peer-reviewed scientific journal, previous examples being the cover of Zoology, the cover of the Journal of Morphology and the cover of Ecology Letters. I’ve had a couple of other marine photos on academic journal covers as well, including the cover of Nature. The folks at such brainiac journals have much better minds than I, so if they like my photos I must be doing ok!

Hammerhead shark cover photo, Physiological and Biochemical Zoology, March/April 2010
See lots more scalloped hammerhead photos (Sphyrna lewini). The above photograph was taken underwater at Wolf Island in the Galapagos Islands, Ecuador, one of the finest places in the world to see scalloped hammerhead sharks.
A Breath-Holding Exercise for Water Photographers
I finish my swim workouts with a few minutes of active breathholding exercises which I feel make me a better waterman and a better photographer. Photographers working in or under the water must often deal with chaotic, stressful or just plain physically demanding situations. I have found that being able to better control my heartrate and breathing in such situations really helps me to keep my focus and hopefully come away with a photograph I am proud of. I thought about this today during my swim (just a few minutes ago) and decided to jot this down while I had some clarity of thought, before all that highly oxygenated blood that is buzzing through my brain departs for my belly when I eat lunch.
The Prelude: After a full swim workout, one’s heart is tick-tick-ticking away with optimal performance, and one’s body is piqued and in a elevated state. That is a perfect time to practice relaxation and breath control. My swim today is an example. I swam, pulled and kicked about 2800 yards, which took me about 45-50 minutes. My hunch is that my heart rate neared its peak after about 8 minutes or so, and that it stayed there through the rest of the swim. After about 12 minutes I really felt “in the zone”, and I stayed there the rest of the way. By the time I finished my heart and breathing were really going. Being able to have some control over them at that point is similar to being able to control them in a stressful situation in the ocean.
The Exercise: Once I’m done with my workout, I hang motionless on the side of the pool and relax for about 2 minutes, staring at the tiles on the edge of the pool. I try to mentally eliminate any distrations and concentrate on lowering my breathing and heart rates. It sounds funny but I honestly feel that I can lower my heartrate just by thinking about it. After a couple minutes of relaxing this way, I will then swim a series of five to eight breathhold cycles (25 yards out, turn, 25 yards back). I will swim out, turn, and swim as far back as is comfortable underwater before rising for a first breath. I then swim the remainder of the cycle slowly on the surface, as relaxed as possible and breathing deeply and easily. I think about my heartrate the whole time, focusing on keeping it slow and easy, and on keeping my entire body relaxed and streamlined. I should stress that I try to remain comfortable doing this. I do not want to push the breath holding too far while swimming underwater, for fear of blacking out and drowning.
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| Bubble ring. Image ID: 06998 |
I first came up with this technique about 14 years ago, in preparation for a photography assignment where I had keep up with world class swimmers and wild dolphins in open water. These expeditions were repeated about 6 times, plus Skip and I had a series of whale filming and photography shoots during those years as well, so once I started these breathholding exercises I just never stopped. I have kept them essentially unchanged since 1998. I carry out this exercise at the end of all of my swim workouts. While some days I feel and swim better than others, just about every time I practice it I find that on each successive breathhold cycle I can swim further underwater than the cycle before. The entire exercise takes about 8 minutes to complete. My heart rate feels lower each cycle, and my breathing definitely relaxes and slows during the course of the exercise. By the time I get out of the pool, I am very relaxed.
The Payoff: This exercise has a direct application when I am in the water shooting photos. Whether I am in large surf, strong currents, surrounded by a lot of animals, getting bumped or inspected by some big or gnarly animals, or am just in some generally stressful situation, as a result of my pool exercises I am better able to regain my focus, guide my body into a more relaxed state, lower my breathing and heartrate, function more efficiently and with fewer errors, and increase my margin of safely. All of these things also increase the odds that I will emerge from the situation with a good photograph.
Plus it helps you blow good bubble rings underwater.
Grytviken, South Georgia Island
Photos of the Grytviken Whaling Station, South Georgia Island
Following our morning at Hercules Bay, we motor during lunch to Cumberland Bay and the whaling settlement of Grytviken. Grytviken lies below – you guessed it – scenic mountains that rise almost straight up. It is insanely windy at times today, and snow flurries fall on and off all afternoon. A visit to the remains of the whaling town, and the museum, is interesting. I finally have a chance to set up my first time lapse shoot of the trip, of clouds moving over the mountains across Cumberland Bay. I find a spot out of the wind in the lee of an overturned boat on the beach, and walk away from my camera as it click-click-clicks away every five seconds. Back in the comfort of the boat, I enjoy a glass of wine with Doug Cheeseman while my camera stays outside in the cold and does it work. We enjoy a fine barbeque on deck tonight. A small group of Grytviken residents, including researchers from the British Antarctic Survey who offered a short presentation earlier in the day, join us. After dark I fetch my camera. The computer stays up all night processing the 2000 images into a short video. It turns out pretty neat!
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| Mountains, glaciers and ocean, the rugged and beautiful topography of South Georgia Island. Image ID: 24580 |
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| Antarctic fur seals, on tussock grass slopes near Grytviken. Image ID: 24414 Species: Antarctic Fur Seal, Arctocephalus gazella |
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| Grytviken Chapel, at the old whaling station of Grytviken, South Georgia Island. Image ID: 24415 |
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| Grytviken whale station, abandoned storage tanks. Image ID: 24464 |
Next: Salisbury Plain, South Georgia Island
Previous: Hercules Bay, South Georgia Island
Trip Index: Cheesemans Antarctica, Falklands and South Georgia
All “Southern Ocean” entries
Timelapse Movie of Oceanside Pier at Sunset
Timelapse video of dusk and sunset at the Oceanside Pier, California, as tourists play on the beach and surf fish. Shot with a still camera, my lucky flipflops, and a pack of Altoids. Finished on our new iMac. Gotta love coastal Southern California.
Sunset Cruise Through Antarctic Ice
After spending a long day ashore on Paulet Island in the northern reaches of the Antarctic Peninsula, the captain took us on a sunset cruise through some nearby waters. Most of the guests were outside enjoying the mirror-flat waters and moody light. We passed one of the most beautiful tabular icebergs we saw during the entire trip (you’ll see it on the far right of this movie). I lashed one of my cameras to a stanchion and let it record about one hour of the cruise. I took one look at this time-lapse clip and was immediately struck by how it resembles skating on ice.
Trip Index: Cheesemans Antarctica, Falklands and South Georgia
All “Southern Ocean” entries
Best Photos of 2009
Best Photos of 2009
Looking back on 2009, I realize I was fortunate to spend a lot of time outdoors — alone, with my family and with friends old and new — pursuing photographs and adventure. During the course of those outings I brought back some images I am proud of, and which bring back fond memories. Without further ado, here are my twelve favorite images of the last year, my “Best Photos of 2009″:
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| Half Dome and storm clouds at sunset, viewed from Sentinel Bridge. Image ID: 22744 Location: Half Dome, Yosemite National Park, California, USA |
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| Bald eagle spreads its wings to land amid a large group of bald eagles. Image ID: 22588 Species: Bald eagle, Haliaeetus leucocephalus, Haliaeetus leucocephalus washingtoniensis Location: Kachemak Bay, Homer, Alaska, USA |
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| San Diego Coronado Bridge, known locally as the Coronado Bridge, links San Diego with Coronado, California. The bridge was completed in 1969 and was a toll bridge until 2002. It is 2.1 miles long and reaches a height of 200 feet above San Diego Bay. Coronado Island is to the left, and downtown San Diego is to the right in this view looking north. Image ID: 22288 Location: San Diego, California, USA |
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| Brown pelican preening, cleaning its feathers after foraging on the ocean, with distinctive winter breeding plumage with distinctive dark brown nape, yellow head feathers and red gular throat pouch. Image ID: 22527 Species: Brown pelican, Pelecanus occidentalis, Pelecanus occidentalis californicus Location: La Jolla, California, USA |
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| California sea lions, underwater at Santa Barbara Island. Santa Barbara Island, 38 miles off the coast of southern California, is part of the Channel Islands National Marine Sanctuary and Channel Islands National Park. It is home to a large population of sea lions. Image ID: 23422 Species: California sea lion, Zalophus californianus Location: Santa Barbara Island, California, USA |
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| Torrey Pines State Beach, sandstone cliffs rise above the beach at Torrey Pines State Reserve. Image ID: 22435 Location: Torrey Pines State Reserve, San Diego, California, USA |
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| Joshua tree, sunrise, infrared. Image ID: 22888 Species: Joshua tree, Yucca brevifolia Location: Joshua Tree National Park, California, USA |
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| A giant sequoia tree, soars skyward from the forest floor, lit by the morning sun and surrounded by other sequioas. The massive trunk characteristic of sequoia trees is apparent, as is the crown of foliage starting high above the base of the tree. Image ID: 23259 Species: Giant sequoia tree, Sequoiadendron giganteum Location: Mariposa Grove, Yosemite National Park, California, USA |
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| Garibaldi and golden gorgonian, with a underwater forest of giant kelp rising in the background, underwater. Image ID: 23432 Species: California golden gorgonian, Muricea californica, Hypsypops rubicundus Location: Catalina Island, California, USA |
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| An explosion of yellow and orange color, aspen trees changing color in fall, autumn approaches. Image ID: 23325 Species: Aspen, Populus tremuloides Location: Bishop Creek Canyon, Sierra Nevada Mountains, California, USA |
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| San Diego city skyline at night, showing the buildings of downtown San Diego reflected in the still waters of San Diego Harbor, viewed from Coronado Island. Image ID: 22250 Location: San Diego, California, USA |
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| Old car lying in dirt field. Image ID: 23112 Location: Bodie State Historical Park, California, USA |
See also:
National Wildlife Photo Contest Winner
The National Wildlife photo contest is the only one of the “big three”** in which I have not had any luck — until now. After taking a hiatus from contests for about 8 years, something possessed me to enter this year. Lo-and-behold the image below caught the judges’ notice and won first place in the professional division of “Connecting People and Nature”, and is featured along with 17 other super images in the December/January 2010 issue of National Wildlife magazine.
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| Mesa Arch, Utah. An exuberant hiker greets the dawning sun from atop Mesa Arch. Image ID: 18036 Location: Island in the Sky, Canyonlands National Park, Utah, USA View this Image in Google Earth! |
This is a self portrait. I was alone this morning at Mesa Arch in Canyonlands National Park. It was a cold but clear January morning with some snow on the ground. I used a Canon 1Ds Mark II camera and 15mm fisheye lens. I put the camera on timer, quickly walked up on the arch, raised my hands the way I do when my daughter scores a goal, and click. The view from atop the arch, looking down the wall to the canyon below, was exhilirating.
**The “big three” photo contests, at least for wildlife, outdoor and nature photographers, are the Wildlife Photographer of the Year competition, the Nature’s Best photography contest and the National Wildlife photo contest. For ocean-oriented photographers, Nature’s Best also sponsors the Ocean Views contest.
Note: Performed by a trained professional stunt photographer. Do not try this at home. Photography is an inherently dangerous and frustrating pursuit. You can and will die photographing landscapes.
Rose Atoll, A World Treasure in Peril
by Phillip Colla and Harrison “Skip” Stubbs, Ph.D.
This blog post is now available as a downloadable PDF article.
This post was originally published in Ocean Realm Magazine in the Spring 1997 issue, one of a series of articles I contributed to Ocean Realm in the ’90s. In August 1995 a thirteen-member inter-agency scientific team of which Skip and I were a part visited Rose Atoll National Wildlife Refuge to assess injury caused by the 1993 grounding of a Taiwanese fishing vessel. While the specific injuries to Rose Atoll are unique and the coralline algae composition of the atoll is uncommon, many other isolated atolls worldwide face similar dangers. It is their remote nature, and the unique assemblages of life that they often support, that make such atolls special. Yet their isolation also means that little, if any, enforcement to protect them from damage by fishing and shipping activities exists. The authors collected photographic and videotape evidence in support of litigation and ongoing injury assessment and research efforts. Rose Atoll NWR is jointly managed by the United States and American Samoa governments and on January 6, 2009 became a National Marine Monument.
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| Rose Islet. Image ID: 00839 Location: Rose Atoll National Wildlife Sanctuary, American Samoa, USA View this Image in Google Earth! |
Remote, tiny and unprotected, Rose Atoll stands alone at the eastern extreme of the Samoan archipelago, 14 degrees south of the equator and southernmost among National Wildlife Refuges. Among the world’s smallest and most pristine atolls, Rose is a nearly square reef surrounding an azure lagoon dotted with coralline bommie towers. Tiny Rose Island rises above the waterline at the atoll’s eastern corner. Rose Atoll’s beauty lies not only in its geometry but in the vibrant pink hue of its reefs — it is one of the few atolls whose primary element of construction is the pink calcareous coralline alga Porolithon.
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| Rose islet and Pisonia trees. Image ID: 00830 Location: Rose Atoll National Wildlife Sanctuary, American Samoa, USA |
Rose’s reef system is of the classic spur-and-groove type: massive coralline shoulders extending outward from the atoll separated at regular intervals by deep troughs, grooves through which open ocean wave energy is funneled back to sea. The shallow reef flat surrounding Rose’s interior lagoon is broken only at the atoll’s northern corner by an ava, an opening through which water, elevated within the lagoon by a constant influx of waves, rushes out in a perpetual current. Where the submarine outer reef graduates from a ledge to reef flat is the forereef, an abrupt ten-foot wall of cement-hard coralline algae just beneath the waterline. Crucial to the health of the entire atoll, the forereef acts as a structural armoring that reflects and dissipates wave energy and protects the reef flat from erosion. Injury to the forereef could change gross reef structures and alter established current patterns about the atoll, allowing new avenues of erosion to threaten the atoll’s fragile island.
An Eden in the center the Pacific, Rose Atoll is lonely and beautiful, but virgin no more. The pristine nature of Rose Atoll was violated in October 1993 when the Taiwanese fishing vessel Jin Shiang Fa ran aground on the atoll’s southwest arm. The destructive effect of this event on Rose Atoll was, and continues to be, many-faceted and difficult to quantify.
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| Debris, wreck of F/V Jin Shiang Fa. Rose Atoll National Wildlife Sanctuary, American Samoa, USA. Image: 00807 |
Debris, wreck of F/V Jin Shiang Fa. Rose Atoll National Wildlife Sanctuary, American Samoa, USA. Image: 00827 |
Propellor and debris, wreck of F/V Jin Shiang Fa. Rose Atoll National Wildlife Sanctuary, American Samoa, USA. Image: 00810 |
Structural reef injury to the southwest arm of the atoll was extensive. The Jin Shiang Fa hit the reef obliquely, plowing a deep trench through several reef spurs before coming to rest hard aground. Debris washed overboard, including fishing line, nets, garbage and plastics, snagging on coral heads at the wreck site and in the lagoon. For months, major hull sections remained perched on the reef ledge against the forereef and gradually broke apart in pounding waves, slamming into the forereef wall and carving deep gouges in the brittle coralline reef structure before being towed off the ledge and dumped into deep water by a salvage tug. Remaining are many fragments of the boat that may never be removed. Mangled refrigeration pipes and balls of line are wedged in the reef ledge and the forereef wall. Thirty-foot long hull plates, boiler tanks and much of the vessel’s superstructure slid in pieces down the outer slope of the atoll, leaving behind a swath of crushed reef. In 1994 many of these massive fragments returned to the shallow reef ledge, lifted by hurricane waves, while some pieces came to rest on the reef flat or all the way into the lagoon. Virtually all of the hull debris is still subject to wave movement and continues to erode and weaken the protective forereef, sending a smothering layer of sand up onto the reef flat.
Changes to the atoll precipitated by the release of toxic chemicals may ultimately prove to be more devastating than the grounding itself. The Jin Shiang Fa’s fuel tanks broke open along with a refrigeration system, spilling approximately 100,000 gallons of diesel, 500 gallons of lube oil and 2,500 pounds of ammonia that eventually spread over portions of the outer reef, reef flat, lagoon and ava. A survey conducted two weeks after the grounding, while the vessel was still leaking oil, found evidence of extensive die-off of reef invertebrates (including Tridacna clams and Echinometra urchins) and major reef-building coralline algae (Lithophyllum and Porolithon). Five months later, most of the southwest reef was covered with invasive filamentous cyanobacteria (blue-green algae) which overgrew the reef-building coralline algae. These patches of cyanobacteria marked areas of stressed or dead coralline algae since, for healthy coralline algae, growth occurs just below a thin surface layer that is constantly sloughed off as a natural defense.
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| Paul W. Gabrielson, Ph.D., collecting algae and coral samples. Rose Atoll National Wildlife Sanctuary, American Samoa, USA. Image: 00824 |
Debris from wreck of F/V Jin Shiang Fa. Rose Atoll National Wildlife Sanctuary, American Samoa, USA. Image: 00793 |
Debris, wreck of F/V Jin Shiang Fa. Rose Atoll National Wildlife Sanctuary, American Samoa, USA. Image: 00814 |
Our survey dives at Rose Atoll were superb. Along the outer reef we could constantly hear the vocalizations of the South Pacific humpbacks that swam near us several times. Well away from the wreck site, vast tracts of pastel pink coralline algae and clear water dominate the underwater landscape, a canvas across which is painted a menagerie of wary gray and black-tip reef sharks, swirling blue-spotted jacks and parrotfish schooling by the hundreds. Near the ava sea turtles cruise the reef, soon to mate in the lagoon and nest on either Rose Island or a small sandbar generously named Sand Island. Sixty-foot coralline towers in the lagoon are home to dense communities of Tridacna clams and strange clusters of procreating nudibranchs.
Yet each dive brought us a measure of dismay to temper our sense of wonder. The physical damage from the Jin Shiang Fa is stunning and contrasts harshly with the sections of pristine reef that we had seen earlier. A deep hull scar leads directly to the grounding site where the engine block and propellers, massive enough to resist hurricane waves, sit in the deep bowls that they have gouged out of the shallow reef ledge. Along the forereef and ledge, thick coralline algae structures lie broken underneath the pipes, hull plating and antenna tower that litter the wreck site. Coral heads are wrapped in balls of fishing line replete with steel hooks poised to snag passersby. Chinese videotapes, hip waders, plastic tarps, storm boots and large metal tanks are spread across the sandy floor and the coral rubble slope inside the lagoon.
Most troubling were our reef flat observations. It seemed that the chemical spill injured the coralline algae, as well as the community of invertebrates that normally graze on cyanobacteria, enough to unnaturally trigger a succession of species that are replacing or smothering the reef-building Porolithon. Cyanobacteria, although ephemeral, was first to recruit and overgrow the reef flat. By our visit it had given way to the finely-branched, non-reef-building coralline alga Jania, which had spread to include about one-third of the entire reef flat, well beyond the wreck site. We found that, although earlier aerial surveys provided useful information on the gross effects of the ship wreck, ground-based and underwater field work is the best way to investigate the temporal dynamics of this tragedy. Unfortunately the remote location of Rose Atoll, which so long kept it pristine, may now hamper scientists who try to monitor its future.
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| Brown booby. Rose Atoll National Wildlife Sanctuary, American Samoa, USA. Image: 00914 Species: Sula leucogaster |
White (or fairy) tern. Rose Atoll National Wildlife Sanctuary, American Samoa, USA. Image: 00872 Species: Gygis alba |
Brown boobies. Rose Atoll National Wildlife Sanctuary, American Samoa, USA. Image: 00908 Species: Sula leucogaster |
Since we originally joined the science team to assist with underwater surveys of the wreck site, neither of us was prepared for what we would witness during our visits ashore, a spectacle of wildlife that emphasizes the critical importance of the atoll for nesting and roosting seabirds. While essentially only twenty acres of compacted coral rubble, tiny Rose Island manages to support a small forest of rare Pisonia trees and a rich assemblage of wheeling, diving, nesting, hatching and crying seabirds. Chicks and eggs seem to be under every bush and tree while juveniles walk openly about, fearless. Inquisitive boobies — red-footed, masked and brown — hover above the shoreline in large groups, crying incessantly. Brown noddies and sooty terns flush from the cover of Pisonia, soon to return to their stumbling chicks and nests laid on the barren coral rubble. Red-throated frigate birds hover high above, sky-borne pirates poised to steal a lesser bird’s catch. Diminutive white terns gracefully flutter about among the trees, pure alabaster but for their large black eyes and exotic blue beaks — could there be more delicate and enchanting creatures?
Such magical visits ashore afforded us time not only to intimately observe these captivating and naive birds but also to contemplate a sobering thought that is at the heart of our team’s work at Rose Atoll: This solitary speck of land atop the atoll, cradling a unique abundance of life, is nothing more than a fragile rubble aggregate, subject to the whim of tides and currents that may have already begun to change in the wake of the grounding.
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| Paul W. Gabrielson, Ph.D., collecting algae and coral samples. Rose Atoll National Wildlife Sanctuary, American Samoa, USA. Image: 00824 |
Wreck of F/V Jin Shiang Fa. Rose Atoll National Wildlife Sanctuary, American Samoa, USA. Image: 00709 |
Debris from wreck of F/V Jin Shiang Fa, lagoon talus slope. Rose Atoll National Wildlife Sanctuary, American Samoa, USA. Image: 00789 |
Rose Atoll’s coralline algae reefs have managed to withstand natural disturbances such as hurricanes, varying salinity and changes in sea level. Can they also adapt to the unnatural changes caused by the Jin Shiang Fa? Of greatest concern is the death of the slow-growing, reef-building coralline algae through local structural reef injury and widespread toxin-induced die-off and replacement. The disappearance of these coralline algae may lead to long-term bioerosion that ultimately weakens the reef, altering current patterns and threatening the existence of Rose Island, its forest and its avian inhabitants.
Rose Atoll’s misfortune may ultimately serve to illustrate how delicate the link is between reef welfare and the existence of remote seabird and turtle nesting sites, and how vulnerable such ecosystems are worldwide. Groundings such as that of the Jin Shiang Fa injure tropical reefs and atolls, yet few such incidents occur in countries with the means and interest to carry out damage assessments, sponsor follow-up research efforts, or attempt to mitigate injury to the reef. By chance, had the Jin Shiang Fa ran aground elsewhere, would anyon
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Updated: May 23, 2012








































































