Phillip Colla Photography

Skip Stubbs in the Sea of Cortez (2009)

Filed under: Skip's Trips on 11/4/2009

My friend and diving partner Skip Stubbs was doing a little diving in the Sea of Cortez with a group of long-time diving friends. Skip shoots primarily video, but on his trips he always takes some time out to shoot a few still photos with his Canon G10. I particularly like his sea lion shot with a school of herring and the island of Los Islotes visible in the background, so that’s the first you see below! Yes, click on it…

From Skip: I have just returned from a week in the Sea of Cortez diving with a small group of friends off a private yacht owned by a good friend of ours. Our trip was interrupted by Hurricane Rick so we spent a day in port at La Paz rather than going up to Las Animas, but we still had a great trip, even though limited to the near diving sites. The temperatures reflected el Nino effects with the water at 84 degrees, and not as clear blue as it should have been in late October. However, the reefs showed large schools of fish (various grunts, sergeant majors, Mexican goatfish, and bigeye scad), and much better numbers of leopard grouper and yellow snappers than in recent years, thanks in part to the efforts of Sea Watch and the vigilance program. We were happy to see that buoys have been placed at Los Islotes to keep small boats from approaching the main sea lion rookery. Finally!

I hope to return again next year!

Click the image above to see some of the stills that Skip captured in the Sea of Cortez this year! You can also see a sampling of Skip’s past trips.

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Heat Run: Humpback Whale Behavior Photos

Filed under: Hawaii, Humpback Whale on 11/1/2009

Each winter North Pacific humpback whales (Megaptera novaeangliae) converge on Hawaii to calve, form consort pairs and eventually mate. These social activities often culminate in “heat runs”, exciting and only partly understood spectacles of competition unique among cetaceans. It should be pointed out that the term heat run is colloquial suggesting the female whale involved is “in heat” (estrous). In fact there is little direct evidence that estrous is occurring in these events. But since the behaviors involved are thought to be related to courtship and mating, and since heat run continues to be widely used (and not just in Hawaii), I have chosen to leave it in this account. Originally titled “Heat Run”, this appeared in Ocean Realm Magazine in April 1995, the first of a series of articles I contributed to Ocean Realm in the ’90s. As he has with all of my past articles, Skip Stubbs offered important advice. If I were to write this today, I would properly elect to use “rowdy group” or “surface active group”.


“We’re out of gear.” The props have stopped spinning and humpback pod 1994-181 has surfaced, heading directly toward our research boat. Slipping into the water I immediately sense their presence. An immense deep thrumming sound sets my hair on end, as if I were inside a huge cathedral organ. The mother-calf-escort trio appears 80 feet away and the male escort is singing, a behavior typically observed only in solitary resting males. As the escort glides below, the mother and calf come directly toward me while I hang motionless 15 feet deep. I am awestruck, alone with three enormous humpback whales, all of us breathholding in deep blue water. The mother brings her calf near to examine me, undoubtedly the first human it has seen. I must lift my legs to allow the mother’s 12 foot long pectoral fin to pass underneath. Her calf’s body coloration is just emerging and it is without significant diving ability, staying just below the surface and hugging closely to its mother but on my side, an indication of the mother’s acceptance of me. This calf is so close I could touch it! I take a few photos, recording the whales eyeballing of me as they pass. In contrast to the infant whale’s awkward swimming motions, the mother lifts her fluke in an easy kick, an uncommon opportunity for a tight underwater fluke shot as they move by.

North Pacific humpback whale, cow/calf, Megaptera novaeangliae, Maui
North Pacific humpback whale, cow/calf.
Image ID: 00140  

Before losing interest and swimming off, pod 181 offered us four more close passes, enough to capture scientifically valuable video images and identifying photographs. In terms of information, this pod provided an ideal encounter. Photographs revealed the mother was previously seen in 1993 in the company of several identified males, one of which could be the father of this calf. This represents a rare potential escort-mother-calf link, a connection important to the study of the long-term social affiliation characteristics of humpback whales. In addition, the male currently escorting the mother in pod 181 may sire her next calf. Beyond the social affiliation implications, pod 181 also symbolized the assumed culmination of a winter social activity among humpbacks known in Hawaii as the heat run, a beautiful, violent and unique phenomenon believed instrumental in determining courtship and mating associations and ultimately resulting one year later in that most characteristic and endearing humpback group, the mother and calf.

Molokai and water pools, viewed from west Maui
Molokai and water pools, viewed from west Maui.
Image ID: 00253  

Once a single land mass of four volcanoes, the islands of Maui, Molokai, Lanai and Kahoolawe now seem like an enormous hand sunken so only the palm and fingertips are visible. Wild and lonely Pacific waters swirl through these fingers and temporarily find calm in the wind lee of Maui, dominated by towering Haleakala volcano and the cloud-ringed West Maui mountains. In this lee, tucked tightly against the coast from Maalaea to Olowalu, humpback mothers regularly bring their new calves to swim in the shallow nearshore waters, to nurse and to gain strength for their coming journey to Alaska. Lanai also has a lee shore where, in addition to mothers and calves, subadult whales are often found socializing, singing and lamenting after being rudely “dropped off” by a mother who has gone to find this year’s mate. But away from shore, calm frequently gives way to weather as the trade winds funnel through the Pailolo channel and streak across Maui’s low-lying midlands into the four island basin, creating shifting windlines that can change glassy calm water into whitecapped swells within minutes. It is here, on the open water among volcanoes and clouds, wind and waves and blazing sun, that Dr. Dan Salden studies the Hawaiian humpback whale.

Humpback whales a the surface, volcano and clouds, Megaptera novaeangliae, Maui
Humpback whales a the surface, volcano and clouds.
Image ID: 00425  

Dr. Dan R. Salden steers our small zodiac towards a large pod of surface active whales, at least twelve in number, swimming quickly across the Auau channel. From the strength and frequency of the whales’ distant blows we had earlier determined, while still several miles away, that the animals were exerting themselves tremendously. Positioning the boat alongside and slightly behind the pod, we match speeds with them and begin observing their behavior. Over the past thirty-one years Dr. Salden has mastered the art of approaching humpbacks without disturbing them. When the lead whale blows and makes a shallow dive the rest of the pod follows. Underwater the whales slow, turn and move directly below us. As they return to the surface we find ourselves amid the pod with whales beside, ahead and underneath the boat. Two whales glide just yards below the keel, each almost twice as long as our skiff. One has ghostly white pectoral fins spanning 30 feet tip to tip. The whales are clearly aware of our proximity and make no overtures toward us, exhibiting exceptional body control as they repeatedly pass within feet of the hull while working amongst themselves to establish position. As whales surface to breathe and dive again, we situate ourselves to photograph identifying markings and scars found on the underside and trailing edge of their flukes. These photographs will be matched against the Hawaii Whale Research Foundation’s (HWRF) database of “fluke IDs” in order to establish individual histories and verify repeat sightings. Dan is now truly in his element, photographing new flukes and pleased to recognize animals from past encounters. Their sequential blows are heard over the boat engines, massive exhalations of breath mixed with atomized water and carrying a thick fishy smell. Dan points out the pod’s two focal animals immediately in front of us — the female seems to be dictating the direction of the pod’s travel while flanking her closely is the escort, a whale whose bloody head nodules and scarred, raw dorsal ridge attest to recent violent encounters.

Suddenly a challenging male rushes in from the side, lunging forward and out of the water, its head completely aloft. Crashing its chin down upon the back of the escort, this new whale tries to displace the escort. The challenge has been made, and a “heat run” has begun. Within seconds, the escort parries the challenger’s head lunge with a peduncle throw, a behavior as exciting to observe as a full breach. Converting his forward momentum into a crack-the-whip rotation, the escort pivots about his submerged head, thrusting his entire fluke and peduncle (the muscular rear portion of his torso) out of the water and laterally at the challenger. An opening behind the female forms as the fighting males move away from the rest of the pod. Before a lesser challenger can fill the gap, the female slows and waits for the escort to rejoin her. Whales begin trumpeting loudly as they surface to breathe, a series of rolling “harumph-umph-umph” sounds that may be attempts at intimidation or simply the result of strenuous exertion. Additional challengers draw in tightly behind the escort, determining among themselves who gets to make a new challenge when the current conflict is resolved. The escort repeatedly blocks the primary challenger, actually pushing him sideways across the surface, then quickly resumes his position beside and behind the female to await his adversary’s next move. Giving up after several failed attempts to displace the escort, the primary challenger breaks off from the pod and departs. Another whale in the pod, who has perhaps been waiting “its turn”, takes his place and the battle continues.

North Pacific humpback whale, escort in competitive group makes fast close pass, Megaptera novaeangliae, Maui
North Pacific humpback whale, escort in competitive group makes fast close pass.
Image ID: 06057  

The “heat run” is a setting for spectacular acrobatics and provides an opportunity to study the humpback courtship process. The focus of the run is usually an adult female although there are all-male surface active groups. Typically she is without calf and swimming at speed so that the males pursue quickly, close to the surface. As the season progresses and calves appear more frequently, we encounter runs in which the pace is slowed by a mother with her calf. (In 1993 we observed a surface active group that formed around a sleeping mother / calf pair.) Today, the female is without a calf and has allowed an adult male to accompany her. This escort flanks her continually hoping ultimately to mate with her, wary of others who wish to usurp his position. Staying ahead of the female and escort and careful to keep out of the fray are three subadult whales just a few years old, not challenging the escort but instead apparently just observing the adult’s behavior in anticipation of their own future roles one day.

Humpback whale dorsal fin damaged during competitive group socializing, Megaptera novaeangliae, Maui
Humpback whale dorsal fin damaged during competitive group socializing.
Image ID: 04334  

The escort’s principal concern is a lineup of challenging males spread out behind him. Each challenger may attempt to displace him from his position with the female. Challenges are an escalating series of maneuvers that may stop at intimidation or culminate in physical injury. On rare occasions Dr. Salden has observed cooperation among challengers, teaming up to defeat the escort. Lesser challengers often engage in side skirmishes among themselves away from the pod, perhaps to establish a pecking order. A successful challenger may become the new escort if the female is accepting and if he can resist further challenges. Determining the gender and roles of the female, escort and seasoned challengers in an active group is straightforward: unlike the smooth skin of females who do not battle, adult males who have accumulated the skill and strength to challenge are scarred and often display dorsal fins that are merely stumps, sheared off by a past opponent’s attack. The dorsal ridge (the backbone leading from the dorsal fin to the fluke) is usually carved with gouges, rips, and white scars, grim testaments to the effectiveness of a humpback whale’s barnacle-encrusted chin as a hammering weapon.

North Pacific humpback whale, competitive male with wounded head nodules from colliding with other escorts during competitive interactions, Megaptera novaeangliae, Maui
North Pacific humpback whale, competitive male with wounded head nodules from colliding with other escorts during competitive interactions.
Image ID: 02152  

Interpreting heat run events from a boat can be difficult, especially with a large pod. The role of animals not directly involved in the conflict is unclear, and the gender of younger whales cannot be determined from superficial scarring. The role of each challenger is fluid, with males jostling for optimal position relative to the female. Whales with white pectoral fins are the most distinguishable underwater, even when 50-80 feet deep. Some individuals have other distinguishing features, such as dorsal fins — hooked, pointed, stumped or gouged — that are visible whenever they break the surface. The rest are usually known only by their fluke patterns, any unusual scarring, or perhaps by their maintaining a constant position in the pod throughout the run.

Humpback whale fluking up, ventral aspect of fluke visible, Megaptera novaeangliae, Maui
Humpback whale fluking up, ventral aspect of fluke visible.
Image ID: 04150  

When the whales have long down times we must enter the water with them to better witness how the skirmish is resolving itself. Allowed under HWRF’s research permit, underwater study offers opportunities to more fully assess the sex and social roles of key animals and to observe chance behaviors such as nursing and penile displays. (Although whales have internal genitalia, gender can be determined by observing the genital slit and surrounding features, located on the ventral peduncle anterior to the fluke.) Given a change in direction that results in the pod swimming toward the boat, Dan stops for us to enter before moving the boat out of the whales’ path. Only free diving equipment is used and special care is made to minimize water disturbance and to remain unobtrusive. Once the animals are in sight we swim parallel to them and do not dive below them unless they have already shown that they fully accept our presence in the water. For the fortunate few researchers allowed in the water these are often the most rewarding moments of our work, occasions to observe up to a dozen 40-ton whales at once, racing and jostling and flying by.

North Pacific humpback whales, socializing trio of adults, Megaptera novaeangliae, Maui
North Pacific humpback whales, socializing trio of adults.
Image ID: 05933  

Getting away from the departing boat’s prop wash is nerve-wracking — whales will be here in moments and I cannot see through the bubbles. Once into clear water I make out the female, leading the pod with four others some 50 feet behind her. Their sounds are a wild dissonance of low pitched calls quite different from the orderly singing of resting males. If they see me, as the female and two of the others do, the whales usually cruise by without changing their behavior. It is amazing to see them corkscrew in order to position both eyes for a stereoscopic view of me. The low contrast of grayish whale against blue water makes it difficult to see all the animals, especially some that pass behind or below. Battling whales that do not see me are a danger and I stay ready to move out of their path. The escort and primary challenger are now drawing near and are intent on one another, flukes pumping and heads driving furiously against each other. Diving, they leave a roiling footprint on the surface and pass within a body length of where I float. The escort has the advantage of bearing down on the challenger from above, pushing with his rostrum and using his pectoral fins to maintain position, while the challenger manages to twist and lash at the escort’s body with lateral fluke swipes. Although the combatants have not actively sought food since leaving Alaska in January, they are expending enormous amounts of energy. I feel insignificant in comparison. When they have faded from sight all that remains is a bubble trail that one whale left behind, a three hundred foot long contrail glistening in the sun, rising silently to the surface.

North Pacific humpback whale, male escort bubble streams alongside mother and calf, Megaptera novaeangliae, Maui
North Pacific humpback whale, male escort bubble streams alongside mother and calf.
Image ID: 05926  

Whales constantly enter and exit heat runs, some of which last an entire day. Distant animals may hear the activities and rush over to investigate. Defeated challengers and disinterested subadults often veer off and disaffiliate, perhaps later to breathhold (rest) or sing. On several occasions we observed two surface active pods cross paths. In the ensuing chaos whales shuffle between pods and wholesale changes in a pod’s temporal social hierarchy may occur.

In one sense, a breach is any behavior in which a substantial portion of the whale breaks the surface. But in practice, a breach is considered to be that most dramatic of events, when the whale launches itself headfirst out of the water with such force it becomes almost entirely airborne. Breaching associated with the heat run most often occurs when a humpback affiliates (joins the pod) or disaffiliates. In addition to the possibility that whales are visually scanning their environment while breaching, Dr. Salden feels the breach has a communication function as well, an opinion shared by other researchers and formulated from years of anecdotal observations. An expert in nonverbal communication, Dr. Salden suspects breaching is the humpback’s way of announcing It is I!, with any surrounding activities forming a context in which the breach must be interpreted. It may be an aggressive signal from an arriving whale (It is I, watch out!) or a parting shot from a disaffiliating whale (Remember me!). When accompanied by a breach, whatever the whale is communicating is “said” with emphasis. An adult whale’s full breach is the most exciting singular behavior humpback observers see. A mighty launch rockets 45 tons of twisting whale skyward, pectoral fins flinging sheets of water aside, ending in a slow motion body slam heard for great distances.

North Pacific humpback whale, breach, Megaptera novaeangliae, Maui
North Pacific humpback whale, breach.
Image ID: 00205  

Underwater, a full breach is a frightening thunderclap, a painfully sharp crack. Captain Jill Mickelsen and I experienced a particularly memorable breaching session one day while in the water observing a mother-calf-escort trio off the north shore of Lanai. Strangely, as the mother and calf slowly circled us, the escort unleashed a succession of more than 25 breaches quite close to our boat. Wind chop, combined with his splashes, reduced the water visibility to less than 60 feet, forcing Jill and I to search continually for the escort deep below as he prepared to rush upward for his next launch. Occasionally, we could see him spiraling and pumping as he approached the surface and we could signal to the boat where he would emerge. More often we would simply hear his breach and realize gratefully that he did not land on us. Researcher David Glickman was able to capture these breaches in a video record that shows the escort slamming one pectoral fin against the water each time he landed, as if to add to his impact. He eventually stopped after the mother directed several peduncle throws at him. Did she tire of his show, or was her calf becoming distressed? No sooner was the breaching finished than Galapagos sharks appeared, swimming erratically with pectoral fins lowered. Had they been attracted by the surface activity or had the breaching been directed at them as a warning? In either case, we were swimming in waters filled with many large pieces of humpback skin shed during the melee — a whale-scented chum line! Four sharks quickly approached me from below, nipping at my fins. I have been told a video camera was still recording as I yelled for the boat and scrambled aboard, rattled.

North Pacific humpback whale, peduncle throw, Megaptera novaeangliae, Maui
North Pacific humpback whale, peduncle throw.
Image ID: 02153  

It is in large surface active pods that the potential for a heat run lies and that courtship roles become clear, although no direct evidence linking such social behavior to mating has yet been found. In-water observations allow us to examine facets of behavior not observable from the boat, including actions carried out in conjunction with social sounds. Courtship, mating and birthing activities likely occur in the North Pacific humpback wintering areas of Hawaii, Japan and Mexico. Still, the reproductive lives of humpbacks remain a mystery. Do humpbacks mate in Hawaii or on the journey back to Alaska? Where are the calves born, in sheltered waters or open ocean? Although we have recorded an uncommon underwater humpback penis display and analyzed a sample of humpback placenta, no confirmed direct observation of either mating or calving has been recorded. Pods exhibiting courtship behavior are thus valuable as they provide information about which whales are together this year, in anticipation of calves next year. These data will help us to answer broader questions about whether humpbacks form long-term social affiliations and what factors might influence such relationships.


The Hawaiian Islands Humpback Whale National Marine Sanctuary, designated by Congress in 1992, specifically recognizes the importance of the humpback whale and its winter habitat and will promote protection, research and education while monitoring both the whale and its Hawaiian environment. The Hawaii Whale Research Foundation studies humpback social affiliation and communication with the belief that if the behaviors of these magnificent animals are more fully understood, we may better offer recommendations that protect and preserve them. HWRF was founded and is directed by Dan R. Salden, Ph.D., past chair of the Department of Speech Communication at Southern Illinois University at Edwardsville. HWRF maintains a growing database of individually identified North Pacific humpback whales, including some that are known to winter in Japan and Mexico as well as Hawaii, and a video record documenting humpback behavior and social roles. HWRF is a publicly supported nonprofit organization staffed by a small group of volunteers. Five winter months of data collection and photo-documentation in Hawaii are augmented by year-round analysis, scientific publications, public service seminars and educational presentations. Field studies are governed by the provisions of NOAA Fisheries (aka, National Marine Fisheries Service) and State of Hawaii scientific research permits.

North Pacific humpback whale, Megaptera novaeangliae, Maui
North Pacific humpback whale.
Image ID: 00167  

 

More information about Dr. Dan Salden and Hawaii Whale Research Foundation can be found on HWRF’s website.

Some humpback whale behaviors often observed in association with surface active groups (heat runs):

Breaching
Underwater bubble displays
Mother / calf pairs
Lunging
Peduncle throws and tail lobs
Pectoral fin displays
Crucifix blocking

Keywords: humpback whale, megaptera novaeangliae, surface active, behavior, rowdy group, maui, hawaii, pacific.

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Kelp Forest Pictures

Filed under: California, Photoshelter on 10/24/2009

My kelp forest stock photos appear on Oceanlight.com in addition to the kelp forest pictures I have on Photoshelter:


Kelp Forest Pictures, Macrocystis pyrifera - Images by Phillip Colla

If you cannot see the slideshow above, see this kelp forest photo slideshow on Photoshelter!

Keywords: giant kelp, macrocystis pyrifera, kelp forest, underwater photo, california, pacific, image.

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Doug Perrine, Marine Wildlife Photographer

Filed under: Lensmen, Photography on 10/22/2009

Today I would like to recognize Doug Perrine, one of the worlds most accomplished and respected marine wildlife photographers. Last night, his amazing photograph of a feeding Bryde’s whale was awarded highly commended at the annual Wildlife Photographer of the Year competition in London. Honestly, I cannot imagine why this image did not actually win the underwater category. It is one of the finest underwater whale photos ever achieved. I have spent a lot of time in the water with whales, and pursing photographic subjects in the open ocean, and I cannot over-emphasize how spectacular Doug Perrine’s photograph is. For those of you who do not take your cameras underwater, it may look like a simple portrait. In truth this whale was speeding by Doug, who captured the image breathhold diving, at the perfect moment when the whale’s body was aligned gracefully and fully visible, and while its throat was fully engorged from a feeding strike just a moment earlier. This behavior occurs in the open ocean, which is nothing like your casual vacation SCUBA dive. The open ocean can be disorienting, and having enormous creatures swimming by at high speed and at very close range, silently and from any direction including directly below, is intimidating. As he mentions in his caption to the photo, Perrine was nearly engulfed in one of the earlier feeding passes. Given these circumstances, capturing a once-in-a-lifetime image like this is a testament to his professionalism and composure. As I said, I consider Doug Perrine’s Bryde’s whale feeding pass image one of the best underwater photos I have ever seen and really congratulate Doug on his achievement.

This WPOTY award is on the heels of Perrine’s Bryde’s whales photos appearing in National Geographic Magazine.

It should be noted that Doug Perrine won the overall Wildlife Photographer of the Year championship in 2004 with some amazing photos from South Africa’s sardine run, so you know he is no stranger to top ranks of the competition! He is a really nice guy too, and has helped myself and many other photographers in myriad ways over the years. Doug Perrine founded the marine photo stock agency Innerspace Visions in Florida in the 80s. Now known as Seapics.com, and since sold although Doug still maintains a close connection, the agency is a premiere source for worldwide marine imagery by virtue of having most of the worlds best marine photographers as contributers (and me too). I may see Doug on a trip in a few weeks, where I will congratulate him on his wonderful photo and award. I am certain he will reply in his usual modest way: “Oh, we just got lucky.”

Note: why don’t I show a copy of Doug Perrine’s amazing image? It would be easy to do, but out of respect for Mr. Perrine’s work, not to mention copyright law, I instead just link to those places where his work is displayed properly. I’m sure his photo will be copied and pasted around the internet, by kids and bloggers and people who just don’t respect a photographer’s right to control where his work appears. But you won’t see it done here. Please go check the links I mention above to see Doug’s work, you’ll be glad you did.

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Guadalupe Island Pictures

Filed under: Guadalupe Island, Photoshelter on 10/21/2009

My Guadalupe Island stock photos appear on Oceanlight.com in addition to the Guadalupe Island pictures I have on Photoshelter:


Guadalupe Island Pictures, Isla Guadalupe, Mexico - Images by Phillip Colla

If you cannot see the slideshow above, see this Guadalupe Island photo slideshow on Photoshelter!

Keywords: Guadalupe Island, Isla Guadalupe, Mexico, stock photos, image.

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Northern Shoveler, Anas clypeata

Filed under: Bird on 10/20/2009

I photographed this Northern Shoveler (Anas clypeata) Sunday morning at Santee Lakes. The coast near my home was totally socked in with pea soup fog, but once I got inland to Santee Lakes the skies cleared. Santee Lakes has some great duck photography. I am not a bird-centric photographer, but I’ll be photographing mostly seabirds this January on a month-long trip, so I’ll probably make a few outings to Santee Lakes and La Jolla to practice my bird photography before I leave.

Northern shoveler, adult nonbreeding plumage, Anas clypeata, Santee Lakes
Northern shoveler, adult nonbreeding plumage.
Image ID: 23393  
Species: Northern shoveler, Anas clypeata
Location: Santee Lakes, California, USA
 

Keywords: northern shoveler, duck, anas clypeata, santee lakes, san diego.

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Galapagos Pictures and Photos

Filed under: Galapagos Diaries, Photoshelter on 10/18/2009

My Galapagos Islands stock photos appear on Oceanlight.com in addition to the Galapagos pictures I have on Photoshelter:


Galapagos Islands Pictures, Ecuador - Images by Phillip Colla

If you cannot see the slideshow above, see this Galapagos photo slideshow on Photoshelter!

Keywords: Galapagos Islands, archipelago, Ecuador, stock photos, image.

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Ocean Sunfish Pictures

Filed under: Ocean Sunfish, Photoshelter, Wildlife on 10/17/2009

What is the largest bony fish in the world? The ocean sunfish (Mola mola) of course! My stock photos of the ocean sunfish appear on Oceanlight.com in addition to the ocean sunfish pictures I have on Photoshelter:


Ocean Sunfish Pictures - Images by Phillip Colla

If you cannot see the slideshow above, see this ocean sunfish photo slideshow on Photoshelter!

Keywords: ocean sunfish, mola mola, underwater, Pacific.

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Another Sale Bites the Dust

Filed under: Photography on

A few days ago I was contacted by an author who was interested in one of my photos for a book he is self-publishing. I got the sense there probably was not much budget when he mentioned in his email that the book would be available for free download. Regardless, I let him know what I typically charge for private-run book use. This was his response this morning:

This particular picture is very appropriate to its context in the book, but I have found one just as appropriate among Wikimedia commons pictures, so I suppose I’ll go with that. I guess if I was a media-seller I would hate the wikis, but for an author like me they are a godsend.

Sorry we can’t do business

I considered pointing out to him that it would not have been “business” if I, or any other photographer, provided the image for free. Some photographers see a need to “educate” their clients in a situation like this. It’s a nice thought but I just don’t have the time so I generally just move on.

I have had good luck maintaining my fees over the years — even as stock photo prices in general have plummeted — probably because most of my saleable images do not have quality counterparts in the “commons” world. Yet. It is an uncertain time for stock photography. I think stock photographers (including myself) who wish to do well must further separate their images from the norm, otherwise they end up competing with the “crowd” and may lose sales to photographers who give their work away.

Postscript: five hours later I received a stronger-than-usual stock agency check in the mail (3Qtr2009). Hope remains.

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Photos of the Wave and North Coyote Buttes, Arizona

View This Blog Post in Google Earth (How Cool Is That?)  View this blog entry in Google Earth
Latitude: 36° 59' 45.49" N, Longitude: 112° 0' 22.28" W, Coord: 36.99597°, -112.00619°
Filed under: Arizona, Photoshelter, The Wave on 10/16/2009

My stock photos of the Wave in the North Coyote Buttes appear on Oceanlight.com in addition to the pictures of the Wave and North Coyote Buttes I have on Photoshelter:


Pictures of The Wave, North Coyote Buttes - Images by Phillip Colla

If you cannot see the slideshow above, see this Wave and North Coyote Buttes photo slideshow on Photoshelter!

Keywords: the Wave, North Coyote Buttes, Arizona, Paria Canyon-Vermilion Cliffs Wilderness.

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Florida Manatee Pictures

Filed under: Manatee, Photoshelter on 10/15/2009

My Florida manatee underwater stock photos appear on Oceanlight.com in addition to the Florida manatee pictures I have on Photoshelter:


Manatee Pictures - Images by Phillip Colla

If you cannot see the slideshow above, see this Florida manatee photo slideshow on Photoshelter!

Keywords: manatee stock photo, photo of Florida manatees.

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Yellowstone National Park Photos

Filed under: National Parks, Photoshelter, Yellowstone on 10/14/2009

My Yellowstone National Park stock photos are organized on Oceanlight.com in additional to the Yellowstone National Park pictures I have placed on Photoshelter:


Yellowstone National Park Photos - Images by Phillip Colla

Note: If you cannot see the slideshow above, then see this Yellowstone National Park photo slideshow.

Keywords: Yellowstone National Park, stock photography, pictures

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Sekonic L-358 Lightmeter for Sale

Filed under: For Sale on 10/12/2009

SOLD.

For sale: Sekonic L-358 Lightmeter / Flashmeter. It is in pristine condition, hardly used, I am the original owner. I bought it thinking I would do more portrait photography with flash but never got into it (my kids don’t like having their photo taken). Asking $155.00. Paypal echeck and personal check is best. Contact me if you are interested.

Here is Sekonic’s official product page for this meter: Sekonic L-358 FLASH MASTER.

Included is the quick-start guide and original soft case. I think I also have the original box and paperwork so if I can find them I will include them too, but cannot guarantee it.

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Yosemite National Park Photos

Filed under: National Parks, Photoshelter, Yosemite on 10/11/2009

My Yosemite National Park stock photos are organized on Oceanlight.com in addition to the Yosemite pictures appearing on my Photoshelter account:


Yosemite Pictures - Images by Phillip Colla

If you cannot see the slideshow above, then take a look at this Yosemite National Park photo slideshow.

Keywords: Yosemite National Park, Yosemite Valley

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The Photographers Guide to Yosemite by Michael Frye

Filed under: Lensmen, Photography on 10/9/2009

Today’s post is a recommendation for Michael Frye’s guide book for photographers, The Photographer’s Guide to Yosemite. I’ve owned this book for years. While I know Yosemite National Park quite well, having made frequent visits to the park my entire life (now that’s saying something!), I now carry Michael Frye’s book with me when I am in the park and routinely flip through it to make sure I haven’t forgotten any of the park’s iconic shots or to seek inspiration for a hike to a new spot. The Photographer’s Guide to Yosemite is one of only a handful of photography guide books that I routinely recommend to others. In the last 24 hours I’ve had the occasion to recommend it on Twitter several times, so I figure it’s time to say something on my blog too. If you are a photographer and plan to visit Yosemite National Park, buy it beforehand and study it, you won’t be sorry. It will help you make the most of your photography time in Yosemite National Park, especially the Valley which is so rich in photographic potential, and it will ensure that you are in the right spot at the right time for many iconic views.

Click to Buy: The Photographers Guide to Yosemite

The Photographer's Guide to Yosemite

Disclaimer: I do not have any arrangement with Mr. Frye or the book’s publisher, other than I am an admirer of his photography and love his book.

Curious what I have been able to shoot in YNP? Here are my Yosemite photos. Most of these are drop dead easy to make and The Photographer’s Guide to Yosemite will help you as it has me.

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Aspens in Fall Beside a Creek

View This Blog Post in Google Earth (How Cool Is That?)  View this blog entry in Google Earth
Latitude: 37° 11' 4.84" N, Longitude: 118° 33' 30.13" W, Coord: 37.18468°, -118.55837°
Filed under: Sierra Nevada on 10/7/2009

One image that just screams “eastern Sierra fall color” that I wanted to make when I last visited Bishop was one of turning aspen trees alongside running water. The three basins in the mountains above Bishop drain into the three three forks of Bishop Creek, and with aspen trees surrounding much of these forks I knew it was just a matter of looking to find a location that would yield a pleasing composition. I noted a few spots along the outlet of Lake Sabrina along with a couple possibilities along the outlet of North Lake but late in the afternoon when I surveyed the upper reaches of the south fork of Bishop Creek below South Lake I found what I was looking for: walls of color alongside a stream with enough water movement to form interesting blurs. This image was taken very near Parcher’s Resort.

Aspens turn yellow in autumn, changing color alongside the south fork of Bishop Creek at sunset, Populus tremuloides, Bishop Creek Canyon, Sierra Nevada Mountains
Aspens turn yellow in autumn, changing color alongside the south fork of Bishop Creek at sunset.
Image ID: 23323  
Species: Quaking aspen, Populus tremuloides
Location: Bishop Creek Canyon, Sierra Nevada Mountains, California, USA
Click To View This Location in Google Earth.  You must have Google Earth installed for this feature to work correctly. View this Image in Google Earth!

 

The day I was in Bishop there were no clouds in the sky at all so contrast was a problem. I was finally able to find a composition with sufficiently low contrast after the sun had descended behind the peaks above South Lake. After that time the light passing through the trees and off the water was even enough to make good exposures without resorting to filters or any of that HDR / blended-exposure silliness. I simply set the aperature at its sharpest for this lens (f/11 on a 24-70 f/2.8 lens) and lengthened the exposure time until I nearly clipped the highlights in the stream. (Curious? See my post about Exposing to the Right and how to properly configure the camera to yield accurate histograms for this approach.) Correcting the white-balance, to account for the cool bias of the shady light, was about all I had to do in the RAW conversion.

Keywords: aspen, stream, creek, fall, eastern sierra, quaking aspen, populus tremuloides, autumn.

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The Aspen Tunnel

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Latitude: 37° 13' 44.72" N, Longitude: 118° 37' 8.43" W, Coord: 37.22909°, -118.61901°
Filed under: Sierra Nevada on 10/6/2009

Along the road that runs beside North Lake in the Bishop Creek watershed is a section I have heard referred to as the “Aspen Tunnel“, an apropos name certainly. Tall quaking aspen trees (Populus tremuloides) on either side lean over the road, creating a impressive cylinder of color. If you are looking for a spot where you can point your camera up and shoot that classic “aspen trees reaching for the sky” shot (here’s another example), this is absolutely the easiest place I have found to do it. I first saw this spot in early October 2006 at which time the color in the leaves was rich and bright. I was there again most recently in late September 2009 when the trees on one side of the road were green while those on the other side were gold. This dichotomy of color is not all that curious: trees in a stand of aspens are typically clones of one another by virtue of their root system and reproduction mechanism; they tend to change color in unison.

Aspen trees displaying fall colors rise above a High Sierra road near North Lake, Bishop Creek Canyon, Populus tremuloides, Bishop Creek Canyon, Sierra Nevada Mountains
2006: Aspen trees displaying fall colors rise above a High Sierra road near North Lake, Bishop Creek Canyon.

 

A tunnel of aspen trees, on a road alongside North Lake.  The aspens on the left are still green, while those on the right are changing to their fall colors of yellow and orange.  Why the difference?, Populus tremuloides, Bishop Creek Canyon, Sierra Nevada Mountains
2009: A tunnel of aspen trees, on a road alongside North Lake. The aspens on the left are still green, while those on the right are changing to their fall colors of yellow and orange. Why the difference?.

 

The aspen tunnel spot is best photographed when the sun has risen fairly high in the sky. Go ahead and shoot the sunrise at North Lake from the usual spot. Then go for a walk around the lake (it’s a short and flat walk!) and kill some time wandering through the grove on the northwest side of the lake as you do so. When other photographers have departed (”the light is too harsh”, “I don’t shoot during midday”, blah blah), you can make your way over to the aspen tunnel and have it largely to yourself. If you choose your angles properly you will find that trees on both sides of the road are richly colored by the strong backlighting of the mid morning sun. A polarizing filter will drop the sky to a deep blue. Keep in mind, the wider your lens, the more of the color you can pack into your composition and the more accentuated the effect of the polarizer will be. I tend to use lenses such as a 15mm fisheye and 16-35mm superwide zoom in this spot in an attempt to find compositions in which the viewer feels immersed inside a grove of intense color and tall thin trees. (A 24mm lens, often considered “wide”, is definitely not wide enough here.) It is not a good idea to change lenses here, in fact you’ll see the dust from the dirt road hanging in the air all around you. When a car or horse trailer drives past I cover my lens and step off the road for a few minutes until the dust has cleared.

Keywords: aspen tunnel, quaking aspen, populus tremuloides, autumn.

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Natural History Photography with Infrared Light

Filed under: California, Infrared, Joshua Tree, Sierra Nevada on 10/2/2009

I have recently taken to shooting infrared photos while I am out on photo excursions. The motivation for me is that, if I can easily and inexpensively produce a different type of photo from what I normally shoot, all the while not affecting my ability to shoot traditional color photos, then why not give it a try. The upside is that I might produce a few more quality, interesting images. The downside is that if the effort may be an abject failure, but if it does not cost me much in time or money then the risk is acceptable.

For instance, while I was tooling around the Bishop Creek watershed photographing fall colors, I took along my Panasonic Lumix LX3 that has been converted to shoot true infrared. What this means is that I can whip this tiny but high quality camera out of my pocket and blast off some infrared shots spontaneously. Infrared photography using external infrared-pass filters on a conventional digital camera typically requires long exposure times and a tripod, making for cumbersome shooting. However, if the camera is modified internally to allow only infrared light to reach the sensor, then long exposure times are no longer required, and one can shoot infrared photos handheld. This really makes having an infrared camera along sensible and productive. Several companies exist to perform these modifications, and they are reasonably inexpensive. Plus, you can always have them convert the camera back to visible light again (for a fee) if you don’t like the results. Probably the most popular cameras for infrared conversation right now are the Canon G9/G10 (and soon to be G11) line, but I prefer the wider angle of the Lumix LX3 so I bought a second one and had it infrared-converted. This particular image comes from the Table Mountain area, when the late afternoon sun was dropping behind the cliffs, leaving much of the hillside in shadow but the aspens in side light.

Aspen trees in fall, eastern Sierra fall colors, autumn, Populus tremuloides, Bishop Creek Canyon, Sierra Nevada Mountains
Aspen trees in fall, eastern Sierra fall colors, autumn.
Image ID: 23320  
Species: Quaking aspen, Populus tremuloides
Location: Bishop Creek Canyon, Sierra Nevada Mountains, California, USA
Click To View This Location in Google Earth.  You must have Google Earth installed for this feature to work correctly. View this Image in Google Earth!

 

Here is another example I was quite happy with, a single Joshua Tree framed against a deep black, cloud-free, mid-morning sky. In this case, having an infrared camera along allowed me to shoot longer than I would normally have done. The light in Joshua Tree is really only good for about 30-60 minutes after sunrise, beyond that it is too harsh to shoot good images. However, the harsher and stronger the light becomes, the greater the amount of infrared light that is reflected by certain subjects such as plants. For this reason, infrared photography is usually at its best — in midday — when visible light photography is often at its worst. The two compliment one another well.

Joshua tree, sunrise, infrared, Yucca brevifolia, Joshua Tree National Park, California
Joshua tree, sunrise, infrared.
Image ID: 22888  
Species: Joshua Tree, Yucca brevifolia
Location: Joshua Tree National Park, California, USA
 

I’m pretty happy with my little infrared-converted LX3 and its ability to shoot quick and reasonably high-quality infrared images. (Not to mention that we love our regular LX3 for snapshots and family photos.) However, I should mention there are some limitations to shooting infrared this way. The optics of todays digital cameras are designed for visible light, in particular, the wavelengths of light in the visible spectrum and how they pass through lens glass-air and glass-glass interfaces. Infrared light passes through the lens and into the sensor in a somewhat different way than visible spectrum light. I have found that this manifests in images that are softer than one would expect with visible light, and are sometimes prone to a vague “hot-spot” in the center of the image. The hot-spot seems to be in the blue color channel only, in my experience with the LX3, and only presents when the lens is at its widest angle (24mm-equivalent). By zooming in even a little bit, the hot-spot issue is alleviated. From the information I have read on some of the internet infrared photography websites, I think other cameras may exhibit both of these issues (soft focus, hot spots) as well but I am not sure as I have only used the LX3 in infrared. I believe the hot spot is a property of the camera sensor and the angle at which the light reaches the sensor, while the soft focus (most notably corner softness) is a characteristic of the optics and their transmission of light (infrared) in wavelengths quite different from those for which the lens was designed (visible). Usually I pull out either the red or green color channel to produce a black-and-white image, so the hot spot in the blue channel is not a great problem, but in those images in which I think I want the blue channel I just zoom in a little and all seems to be well. Also, the hotspot is not present in all images, it seems to have something to do with the direction of the sun and how intensely the subjects in the center of the image are reflecting infrared. Image softness is a property of infrared photography in general, and seems to me to be ameliorated somewhat by the strong contrast that infrared images typically have. In other words, the strong black-white contrast of an infrared image seems to more than make up for the soft detail, when the image is viewed as a whole.

Like this? Here are more infrared photos.

Keywords: infrared, joshua tree, yucca brevifolia, aspen, populus tremuloides.

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Infrared Photo of a Giant Sequoia Tree

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Latitude: 37° 30' 48.52" N, Longitude: 119° 35' 55.67" W, Coord: 37.51348°, -119.5988°
Filed under: California, Infrared, National Parks, Sierra Nevada, Yosemite on 10/1/2009

One tree in the Mariposa Grove of Giant Sequoia trees (Sequoiadendron giganteum) is my favorite. Its huge, reasonably symmetric, and sits somewhat alone in meadow clearing so that morning light can illuminate almost the entire tree nicely. Plus, its a nice 2 mile run up through the grove from the parking lot. Usually when I arrive at The Tree I am the only person there, having seen noone on the way up the hill. It was the same this time. What a beautiful morning. I took my tiny mikro-pokket-infraredfotokam along with me and shot some photos. Below is my favorite one.

Giant sequoia tree towers over surrounding trees in a Sierra forest.  Infrared image, Sequoiadendron giganteum, Mariposa Grove, Yosemite National Park, California
Giant sequoia tree towers over surrounding trees in a Sierra forest. Infrared image.
Image ID: 23304  
Species: Giant sequoia tree, Sequoiadendron giganteum
Location: Mariposa Grove, Yosemite National Park, California, USA
Click To View This Location in Google Earth.  You must have Google Earth installed for this feature to work correctly. View this Image in Google Earth!

 

Like this? Here are more infrared photos.

Keywords: giant sequoia, infrared, mariposa grove, yosemite national park, Sequoiadendron giganteum.

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Banzai Run To Bishop Creek and Rock Creek

Filed under: Sierra Nevada on 9/28/2009

I got reports that the Eastern Sierra fall colors in the Bishop Creek Canyon basin were starting to peak at higher elevations, and that one or two weather developments in the coming week might affect the weekend of 10/3-4, so I decided to jam up to Bishop (5 hours from my door to Schats bakkery!) at the last minute. It was a little stressful since we were in the middle of negotiating the purchase of a new home, but when photo opportunities develop what can one do? I was able to go, thanks to my understanding (and beautiful) wife. I shot Rock Creek basin on Sat 9/27 and all three Bishop Creek basins on Sun 9/28. Rock Creek: Many years ago, when I was running in high school, my team would do some high altitude training in June Lake and Mammoth each summer before starting the racing season. One year our coach dumped us at Toms Place and said “See you guys at the top of Rock Creek”. Huh? We ran the entire way up the canyon, ending up at Rock Creek Lake, it was crazy. Well, I’ve always wanted to revisit Rock Creek, so went up there on Saturday when I got to Bishop for a look at the aspens and lake. The color is about peak and looks good in areas, but I was not impressed with how “thin” it is, i.e., I did not see huge swaths of color around Rock Creek Lake, but rather smaller stands of aspens. I did not find the angles I was looking for. It sure was easier driving up to the lake than running. Bishop Creek: it is ON RIGHT NOW. Higher elevations are at peak with lots of lime-green and yellow color, large patches are near 100% yellow. The trees look pretty clean, only saw a few with black on the leaves and it was not enough to affect photos. North Lake looks fantastic, but is often crowded on weekend mornings. Fortunately I found a new vantage point there that I had largely to myself Sunday morning. The aspen tunnel from which I shot some of my favorite wide shots a few years ago is not as impressive right now, and strangely half of it is green while the other half is yellow (you can see it in the slideshow below). Sunrise at North Lake begins at 6:45am, alpenglow 30-40 minutes earlier, so I’ll save you the trouble of guessing. I forgot pants and only had my shorts, so it was pretty chilly standing beside the lake to catch alpenglow at 5:45am:

North Lake sunrise alpenglow, three frame panorama
North Lake sunrise alpenglow, three frame panorama, 1DsIII / 24-70.

Lake Sabrina had plenty of yellow aspen stands around the lake, but I spent little time at Sabrina this visit. I did go to my favorite stand of very tall aspens near Sabrina to shoot epic wide stuff but the trees were still somewhat green so, while the angles look good, the color is less than epic. In fact, in many areas the taller aspens in all the basins are holding green while the scrub aspen are the ones going full yellow/orange right now. The grove above Aspendel looks good for that “up the basin” shot with the grove in the foreground. However, Cardinal Pond in Aspendel is totally green at this moment, as is Intake II. The most impressive swaths of color are in the South Fork, especially from Table Mountain campground up to South Lake. If weather cooperates and no blow comes through, lower parts of South Fork will come online and turn full yellow in the next week or so, already there is a mix of lime green / yellow in the lower parts of South Fork. And the good thing about South Fork is that the aspen stands are so accessible there is a lot of easy shooting to do, and they are so large that when they turn full color it will look great. Cross your fingers for no wind. Give it one week, two at the most, maybe less if the cold snap forcast for midweek materializes. On one weather source I heard mention of a second front suspected for next weekend (10/3-4). Some shots from Saturday and Sunday: Rock Creek Lake 9/27 and Bishop Creek Canyon 9/28 (North Lake, Sabrina, South Fork). All these images were shot in about 24 hours starting with a couple hours at the end of the day in Rock Creek, then from 5:45am until 5pm on Sunday with a short break to eat a tasty monster-sized burger and some delicious and heart-smart spicy fries at the Bishop Creek Lodge. After returning to Bishop I stoked up on caffeine and drove straight home. I always hate to leave the Sierras and hope to see the show again next fall.


Bishop Creek and Rock Creek 9/27/2009 - Images by Phillip Colla

Keywords: eastern sierra, 2009 fall color report, bishop creek canyon, rock creek canyon, aspen, photo, picture, image.

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Updated: November 7, 2009